As for sewing, I couldn't wait any longer for my sewing area to be put to rights. I had some new patterns come in the mail after everything else was packed away and I've been salivating at them for weeks. My sewing set-up isn't ideal at the moment, so it took some time to set up and I had to cut out on the floor (I can't believe I used to do that all the time – talk a bout a back ache!), but this first project isn't overly complicated so it went fairly quickly.
First up: McCalls 6711 (the jacket)
My fabric is free from a friend who was destashing. It's a bright turquoise polyester (sounds terrible) with a sheen on the right side (really terrible) and I chose it because I was intending it to be a muslin (no kidding)—a shiny bright blue jacket didn't seem like something I would need in my closet. But, after basting everything together the fit was pretty great, even across back, so I decided to make it up for reals using the "wrong" side without the sheen. As luck would have it, I also found perfectly matching lining, also from the same friend's destashing gift. Plus, if Kristy can rock a bright blue blazer, so can I.
It's a simple little jacket with no closures (calls for a hook and I which I won't be using, because... why???).
I used this book to double check what size to use and if I needed to make any obvious adjustments.
All of my measurements were matching up to the size 12 pretty much so I went with that (even though going by the pattern envelope I was closer to a size 14. Joi Mahon also has a Craftsy class on fitting that takes you through her unique fitting process.
http://dressformsdesign.com/books/ |
My changes:
1. Increased the width across the upper back by 3/4" splitting it between the back arm scythe and the sleeve.
2. Decreased the width of the upper chest by shaving a scant 1/4" off the front arm scythe blending out to the original seamline at the shoulder and underarm. The jacket fits exactly like the picture without doing this, but you can see that there's some extra fabric there (circled) on the model and I wanted to eliminated a little of that if I could.
I Made both changes to both the fashion fabric and lining.
Because this jacket is meant to be casual ie: not very tailored, I didn't get too fussy with the fit in the back. This decision may come back to bite me in the ass once it's done and I realize that I did need a sway back adjustment, but finger's crossed...
Lucinda took this jacket to the next level by tailoring the crap out of it. Her's is beautiful, but not the look I'm going for in a casual spring/summer throw-on-and-go blazer so I'm going to stick to the given instructions as far as interfacing and tailoring (or lack thereof) goes. Plus the popped up convertible collar is what attracted me to this pattern in the first place so I don't want to loose it.
So far I've put together the shell and the lining except for the side seams and then I'm going to bag the lining using this tutorial by Grainline Studios. I should be able to finish it tonight—a very quick project. Photos and review coming soon.
I have no idea what a "Reno" is!!
ReplyDeleteI have Joi's book too, and took her class at the ASE. I should sit down and read the book because the class only got as far as the bodice and did not talk about adding ease.
I prefer to take my show on the road and cut out on my Fathers dining room table. If I cut out at home it's a floor and a babygate to keep the pups at bay! Blech!
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